Biography
« Héros underground, Robert Malaval a été tour à tour écrivain non publié, dandy pop admirateur et proche des Rolling Stones, hippie voyant le monde en «rose, blanc, mauve», pionnier du glamrock peignant avec des paillettes, inventeur d’une esthétique punk »
 
Nicolas Bourriaud et Jerome Sans

Robert Malaval was born in Nice on 29 July 1937. His father worked for Michelin and his mother for Crédit Lyonnais. After completing his secondary education, he worked in a variety of odd jobs while at the same time trying his hand at his very first artwork, in 1955. At the age of 19, he moved to Paris and began painting in earnest. His first works, which he sold on café terraces, were washes on paper in dark colours, and already the ink, which diffused by capillary action into the texture of the paper, foreshadowed some of the efflorescences to come. After a brief period of military service, from which he was soon exempted, he settled in the Basses-Alpes and the works he produced from 1958 to 1961 bore a strong imprint of the colour and matter of the earth in the landscapes around him.

 

In 1961, he met Alphonse Chave, who invited him, his wife and children to settle in Vence, where he had a gallery, lent him a studio and gave him a little money each month to produce works. It was there that he discovered a material which, thanks to a small child who happened to be passing by and thought it could be eaten, became known as Aliment Blanc (white food). A few years later, Robert Malaval was back in Paris, and had become the man behind Aliment Blanc, then the man behind the "pink-white-purple" colours. He exhibited his work, lived spectacularly, played the game, then quickly tired of it and decided to call it a day. He devoted himself to a book on the Rolling Stones, and was passionate about sound. He spent whole days recording the sea, crickets and the wind.

 

In 1971, he staged his exhibition Transat-Marine-Campagne-Rock'n'roll, which summed up all his ideas about art, his relationship with the public and his desire to cross worlds. He created a children's game and a silkscreen album devoted to the Rolling Stones, and in 1973 the first glitters appeared in his work. He wrote "Kamikaze fin du monde" (End of the world) on a piece of clothing painted like a painting, and embarked on a major series of celestial works glittering with colour and glitters. He has crossed many universes, had many experiences, from the harshest to the most frivolous. He's looked at music, travelled the world of artists, written ghost stories, worked in show business, but none of it fascinates him any more. It was in Créteil, in 1980, that he painted like an opera performer and produced a series of breathtaking works full of life and energy. Then, around 8 August that year, he decided to end his life and shot himself in the head to the music of Blank Generation.

 

Marc Sanchez, 2005

 


 

 
Collections Publiques 

Centre Pompidou — Musée National d’art Moderne, Paris, France

Musée d’Art Moderne de la Ville de Paris, France

CNAP — Centre national des arts plastiques, Paris, France

MAC VAL — Musée d'Art Contemporain du Val-de- Marne, Vitry-sur-Seine

MAMAC — Musée d’Art Moderne et Contemporain, Nice, France

Musée d’Art Moderne et Contemporain, Saint-Etienne Métropole, France

FRAC Pays de la Loire, France
MAC — Musée d’Art Contemporain, Marseille, France

Les Abattoires, Toulouse, France
Musée Picasso, Antibes, France
Musée d’Art Moderne, Céret, France
FRAC Champagne Ardenne, Reims, France
Musée d’Arts, Nantes, France
Carré d’Art, Nimes, France
Musée des Beaux Arts, Rennes, France

Works
  • ROBERT MALAVAL, Canapé, 1961
    Canapé, 1961
  • ROBERT MALAVAL, Sans titre, Circa 1975
    Sans titre, Circa 1975
  • ROBERT MALAVAL, Sans titre Fifty Fifty, 1978
    Sans titre Fifty Fifty, 1978
Video
Exhibitions
Texts

To exhibit the work of Robert Malaval today at the Palais de Tokyo and the Lyon Biennial of Contemporary Art is a conscious choice, one that runs resolutely counter to the zeitgeist. It's a real stand in defence of the work of a major artist who has been neglected - even forgotten - by art history over the last twenty-five years.
The creator of a distinctly French version of pop art, Robert Malaval is one of the few artists of the 1960s and 1970s to have integrated rock culture into his work. His fascination with science fiction runs through all his work, from the first Aliments Blancs of 1961 to the Pastels Vortex of 1978.
An underground hero, Robert Malaval was in turn an unpublished writer, a pop dandy who admired and was close to the Rolling Stones, a hippie who saw the world in "pink, white and mauve", a glam-rock pioneer who painted with sequins, and the inventor of a punk aesthetic, before throwing himself, like a kamikaze of the no future, into the abyss of voluntary death. Passionate about sound, he steals noises from all around him to feed his exhibitions and constantly nourishes his painting with the music he loves.

 At a time when a new generation of artists is being profoundly influenced by electronic cultures and developments in rock, it is essential to bring Robert Malaval's work back into the limelight, to show the relevance of this artist who could sum up the French pop years in his own right, and whose vibrant presence cannot be overshadowed by his sudden death in 1980.

 

Nicolas Bourriaud et Jérôme Sans

Art Fairs