Overview

To mark the centenary of Surrealism, Galerie Pauline Pavec and Galerie Boquet are delighted to present a joint exhibition in their two venues, highlighting the careers of two women artists whose friendship spanned the 20th century: Jacqueline Lamba and Dora Maar.

 

Illustrated by numerous archives and photographs, the exhibition will showcase works from the 1930s to the 1970s, from surrealism to abstraction, including some rare and unseen pieces by both artists, such as a unique fold-out notebook by Dora Maar featuring a series of portraits of Jacqueline Lamba, major canvases by Lamba and ink landscapes by both artists, with strong formal links.

 

Jacqueline Lamba and Dora Maar met in 1926 at the Union Centrale des Arts Décoratifs, and continued to be close friends at pivotal moments in their lives, such as during the summer of 1939, when Dora Maar took iconic photographs of Jacqueline Lamba, as well as portraits of the young Aube Breton.

 

Accompanied by a catalog with texts by the artists' two biographers Victoria Combalia for Dora Maar - historian, art critic, professor at Barcelona University, PhD in Art History and exhibition curator - and Alba Romano-Pace for Jacqueline Lamba - art historian, curator and professor at the Albertina Academy of Fine Arts of Turin - this exhibition will highlight the important role played by these two women artists who, far more than witnesses, are in fact actors whose researchs reveal the major changes of the arts during the twentieth-century.

Installation Views
Works
  • DORA MAAR, Paysage
    DORA MAAR
    Paysage
    encre noire sur papier filigrané (La Couronne Bond)
    Black ink on watermarked paper (La couronne Bond)
    20.9 x 27 cm
    8 1/4 x 10 5/8 in
    Courtesy of Pavec
  • JACQUELINE LAMBA, Etude pour Source, 1971
    JACQUELINE LAMBA
    Etude pour Source, 1971
    inventaire 1034
    Encre et huile sur kraft blanchi
    Ink and oil on whitened kraft paper
    51 x 66 cm
    20 1/8 x 26 in
    Courtesy of Pavec
  • DORA MAAR, Portait d’Aube Breton, 1939
    DORA MAAR
    Portait d’Aube Breton, 1939
    Daté ‘3 octobre 39’ en haut à droite
    Crayon graphite sur papier
    Graphite on paper
    31 x 24 cm
    12 1/4 x 9 1/2 in
    Courtesy of Pavec
  • JACQUELINE LAMBA, L'intérieur d'une maison, 1946
    JACQUELINE LAMBA
    L'intérieur d'une maison, 1946
    inventaire 200
    Huile sur toile
    Oil on canvas
    76 x 101 cm
    29 7/8 x 39 3/4 in
    Courtesy of Pavec
  • DORA MAAR, Portrait de femme, 1939
    DORA MAAR
    Portrait de femme, 1939
    Crayon graphite sur papier
    Graphite on paper
    31 x 24 cm
    12 1/4 x 9 1/2 in
    Courtesy of Pavec
  • DORA MAAR, Portrait de femme, 1939
    DORA MAAR
    Portrait de femme, 1939
    Crayon graphite sur papier
    Graphite on paper
    31 x 24 cm
    12 1/4 x 9 1/2 in
    Courtesy of Pavec
  • JACQUELINE LAMBA, Sans titre - Vue des toits de Paris, 1969-1970
    JACQUELINE LAMBA
    Sans titre - Vue des toits de Paris, 1969-1970
    Huile sur toile
    Oil on canvas
    180 x 123 cm
    70 7/8 x 48 3/8 in
    Courtesy of Pavec